Signed and signed in the plate etching.
From the edition of 50.

‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’
Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991