Easky Co Sligo, Ireland
Signed watercolour.
The west of Ireland was a favourite subject for Graham; he was was particularly drawn to that wild landscape. Here he gives us a superbly painted thundering sky with a damatic view of the pier in the foreground.
Graham believes that each outdoor painting is in some way a record of his time in that place, of the light, and of his frustrations, pleasures and struggles in responding to what was in front of him. Against the Grain Goldmark 2015.
The west of Ireland was a favourite subject for Graham; he was was particularly drawn to that wild landscape. Here he gives us a superbly painted thundering sky with a damatic view of the pier in the foreground.
Graham believes that each outdoor painting is in some way a record of his time in that place, of the light, and of his frustrations, pleasures and struggles in responding to what was in front of him. Against the Grain Goldmark 2015.
$2,732.11
Easky Co Sligo, Ireland—
$2,732.11
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Description
Signed watercolour.
The west of Ireland was a favourite subject for Graham; he was was particularly drawn to that wild landscape. Here he gives us a superbly painted thundering sky with a damatic view of the pier in the foreground.
Graham believes that each outdoor painting is in some way a record of his time in that place, of the light, and of his frustrations, pleasures and struggles in responding to what was in front of him. Against the Grain Goldmark 2015.
The west of Ireland was a favourite subject for Graham; he was was particularly drawn to that wild landscape. Here he gives us a superbly painted thundering sky with a damatic view of the pier in the foreground.
Graham believes that each outdoor painting is in some way a record of his time in that place, of the light, and of his frustrations, pleasures and struggles in responding to what was in front of him. Against the Grain Goldmark 2015.
