Provençale Women
Signed lithograph from a small edition of 20 only.
"Morris Kestelman is probably best known for his depictions of French peasants, Spanish fishermen, circus artistes, and beautifully composed landscapes where light and shade alternate in playful, subtle games. The solidity of his figures and his emphasis on movement gave his work a strong affinity with that of Bernard Meninsky, one of his teachers, while with Josef Herman he shared an interest in people at work and the rhythm of their bodies, echoed by shapes in the surrounding landscape." Agi Katz, The Independent Obituary 1998.
"Morris Kestelman is probably best known for his depictions of French peasants, Spanish fishermen, circus artistes, and beautifully composed landscapes where light and shade alternate in playful, subtle games. The solidity of his figures and his emphasis on movement gave his work a strong affinity with that of Bernard Meninsky, one of his teachers, while with Josef Herman he shared an interest in people at work and the rhythm of their bodies, echoed by shapes in the surrounding landscape." Agi Katz, The Independent Obituary 1998.
$848.60
Provençale Women—
$848.60
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Description
Signed lithograph from a small edition of 20 only.
"Morris Kestelman is probably best known for his depictions of French peasants, Spanish fishermen, circus artistes, and beautifully composed landscapes where light and shade alternate in playful, subtle games. The solidity of his figures and his emphasis on movement gave his work a strong affinity with that of Bernard Meninsky, one of his teachers, while with Josef Herman he shared an interest in people at work and the rhythm of their bodies, echoed by shapes in the surrounding landscape." Agi Katz, The Independent Obituary 1998.
"Morris Kestelman is probably best known for his depictions of French peasants, Spanish fishermen, circus artistes, and beautifully composed landscapes where light and shade alternate in playful, subtle games. The solidity of his figures and his emphasis on movement gave his work a strong affinity with that of Bernard Meninsky, one of his teachers, while with Josef Herman he shared an interest in people at work and the rhythm of their bodies, echoed by shapes in the surrounding landscape." Agi Katz, The Independent Obituary 1998.
