Roof Tops
Signed and dated.
‘George Large is the most astute watcher of our shared experience, of the exotica of the ordinary… He weaves his insights into rich figurative tapestries, a realm with which we may be superficially familiar, but which is re-made in his imagination, a place apart.’ David Whiting, 2015.
‘His complex compositions, bursting with vitality and primary idiosyncratic colours, which ingeniously knit together the figurative and the topographical, always delight my critical eye.’ Anthony J. Lester, 1998.
‘George Large is the most astute watcher of our shared experience, of the exotica of the ordinary… He weaves his insights into rich figurative tapestries, a realm with which we may be superficially familiar, but which is re-made in his imagination, a place apart.’ David Whiting, 2015.
‘His complex compositions, bursting with vitality and primary idiosyncratic colours, which ingeniously knit together the figurative and the topographical, always delight my critical eye.’ Anthony J. Lester, 1998.
$824.39
Original: $2,355.40
-65%Roof Tops—
$2,355.40
$824.39Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Signed and dated.
‘George Large is the most astute watcher of our shared experience, of the exotica of the ordinary… He weaves his insights into rich figurative tapestries, a realm with which we may be superficially familiar, but which is re-made in his imagination, a place apart.’ David Whiting, 2015.
‘His complex compositions, bursting with vitality and primary idiosyncratic colours, which ingeniously knit together the figurative and the topographical, always delight my critical eye.’ Anthony J. Lester, 1998.
‘George Large is the most astute watcher of our shared experience, of the exotica of the ordinary… He weaves his insights into rich figurative tapestries, a realm with which we may be superficially familiar, but which is re-made in his imagination, a place apart.’ David Whiting, 2015.
‘His complex compositions, bursting with vitality and primary idiosyncratic colours, which ingeniously knit together the figurative and the topographical, always delight my critical eye.’ Anthony J. Lester, 1998.
