Shadows No.1
Signed original etching. Edition of 50.
This plate was finished in Minneapolis, during Gross's stay there. He was Visiting Professor at Minneapolis School of Art 1965-66.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
This plate was finished in Minneapolis, during Gross's stay there. He was Visiting Professor at Minneapolis School of Art 1965-66.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
$1,154.24
Original: $3,297.84
-65%Shadows No.1—
$3,297.84
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Description
Signed original etching. Edition of 50.
This plate was finished in Minneapolis, during Gross's stay there. He was Visiting Professor at Minneapolis School of Art 1965-66.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
This plate was finished in Minneapolis, during Gross's stay there. He was Visiting Professor at Minneapolis School of Art 1965-66.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
