The Cockerel
Signed and signed in plate very early lithograph.
Edition of 50, not all printed. Printed by George Davenish, Royal College of Art London, published by the Artists' International Association in 1951.
This print was one of a series of 20 lithographs commissioned by the Artists' International Association to celebrate the Festival of Britain with financial support from the Arts Council of Great Britain.
A listing in the Associations records in the Tate Gallery Archive seems to suggest that it is doubtful that this lithograoh was printed beyond the first batch of 25 impressions.
Edition of 50, not all printed. Printed by George Davenish, Royal College of Art London, published by the Artists' International Association in 1951.
This print was one of a series of 20 lithographs commissioned by the Artists' International Association to celebrate the Festival of Britain with financial support from the Arts Council of Great Britain.
A listing in the Associations records in the Tate Gallery Archive seems to suggest that it is doubtful that this lithograoh was printed beyond the first batch of 25 impressions.
$4,238.91
The Cockerel—
$4,238.91
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Description
Signed and signed in plate very early lithograph.
Edition of 50, not all printed. Printed by George Davenish, Royal College of Art London, published by the Artists' International Association in 1951.
This print was one of a series of 20 lithographs commissioned by the Artists' International Association to celebrate the Festival of Britain with financial support from the Arts Council of Great Britain.
A listing in the Associations records in the Tate Gallery Archive seems to suggest that it is doubtful that this lithograoh was printed beyond the first batch of 25 impressions.
Edition of 50, not all printed. Printed by George Davenish, Royal College of Art London, published by the Artists' International Association in 1951.
This print was one of a series of 20 lithographs commissioned by the Artists' International Association to celebrate the Festival of Britain with financial support from the Arts Council of Great Britain.
A listing in the Associations records in the Tate Gallery Archive seems to suggest that it is doubtful that this lithograoh was printed beyond the first batch of 25 impressions.
