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Ysele Quema La Casa

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Ysele Quema La Casa

We are delighted to offer this print from the very rarest of first editions of one of the world’s greatest suites of etchings, Francisco de Goya’s Los Caprichos.

Not only is this a first edition, but one of the earliest. After the first 25 or so pulls were taken, a scratch appeared on plate 45, which is to be seen on all subsequent editions. This print is from one of these rare sets, before scratch.

The suite was published in 1799 and Goya is thought to have sold only 27 copies before withdrawing it from circulation due to the Inquisition. Most of the remaining copies of the edition were alter purchased by King Charles IV of Spain. The work was an enlightened, tour-de-force critique of 18th century Spain, and humanity in general. The informal style as well as the depiction of contemporary society found in the Caprichos, makes them and Goya himself, a precursor to the modernist movement almost a century later.

The subtlety of tone and lush quality of the aquatint printing in this etching is unrivalled and will be exactly as Goya had intended. It is also highly likely that Goya would have handled this very print.
$6,263.85

Original: $17,896.72

-65%
Ysele Quema La Casa

$17,896.72

$6,263.85

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Description

We are delighted to offer this print from the very rarest of first editions of one of the world’s greatest suites of etchings, Francisco de Goya’s Los Caprichos.

Not only is this a first edition, but one of the earliest. After the first 25 or so pulls were taken, a scratch appeared on plate 45, which is to be seen on all subsequent editions. This print is from one of these rare sets, before scratch.

The suite was published in 1799 and Goya is thought to have sold only 27 copies before withdrawing it from circulation due to the Inquisition. Most of the remaining copies of the edition were alter purchased by King Charles IV of Spain. The work was an enlightened, tour-de-force critique of 18th century Spain, and humanity in general. The informal style as well as the depiction of contemporary society found in the Caprichos, makes them and Goya himself, a precursor to the modernist movement almost a century later.

The subtlety of tone and lush quality of the aquatint printing in this etching is unrivalled and will be exactly as Goya had intended. It is also highly likely that Goya would have handled this very print.

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Ysele Quema La Casa | Goldmark